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The author of “Leaving Isn’t the Hardest Thing” has been a “cable guy,” a barista and Air Force airman. Her time behind a bar taught her to listen.
In “Test Gods,” Nicholas Schmidle tells the story of Virgin Galactic’s space program, with a focus on the astronauts who are charting new frontiers.
An excerpt from “Great Circle,” by Maggie Shipstead
An excerpt from “Secrets of Happiness,” by Joan Silber
In “The Words That Made Us,” Akhil Reed Amar shows how the United States Constitution was produced by a broad culture of communicators.
A selection of recent titles of interest; plus, a peek at what our colleagues around the newsroom are reading.
“The Secret History of Home Economics,” by Danielle Dreilinger, relates the surprising story of a discipline rooted in practical science and clever innovation.
In “Second Place,” the British novelist trades her signature cool precision for a mood of dreamlike mystery, evoking a woman’s obsession with a famous painter and the act of artistic creation.
In “Project Hail Mary,” by Andy Weir, a former science teacher is the planet’s only hope.
Mikhail Iossel’s new story collection, “Love Like Water, Love Like Fire,” paints a tender, dark and humorous portrait of Soviet life.
In “Everybody,” the author draws on a chorus of voices to investigate the physical meaning of freedom.
Ferguson’s “Doom” places the current pandemic in the context of other catastrophes and reaches the conclusion that all disasters are in some sense man-made.
In her debut novel, “Olympus, Texas,” Stacey Swann conjures a dysfunctional clan that makes yours look tame.
In “Stranger Care,” Sarah Sentilles recalls her experience working with child welfare agencies.
In Eric Nguyen’s debut, “Things We Lost to the Water,” Vietnamese refugees in a single household meet very different Americas.
In Nikita Lalwani’s novel “You People,” the lives of immigrants, documented and not, converge in an urban kitchen.
In “Secrets of Happiness,” her new novel of love triangles and divided loyalties, Joan Silber explores the aftermath of a shocking revelation.
In “Nine Nasty Words,” McWhorter explains that offensive language depends on time, place and history.
New novels by Eva Baltasar, Kavita Bedford and Kirstin Valdez Quade.
Liniers’s “Wildflowers” feels like an older sister to Maurice Sendak’s work, maybe taking place on the next island over from Max’s rumpus.
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