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https://www.nytimes.com/section/books/review
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35 min 17 sec ago
“The Promise,” Damon Galgut’s latest novel, is a portrait of pain and change in South Africa.
Keiichiro Hirano’s “At the End of the Matinee” follows the star-crossed love story between a classical musician and a renowned reporter.
“Of Women and Salt” is a novel about sisters and mothers — and its author is an expert on these subjects.
“I get superstitious. I once had a book sent to me that was disrupting my ability to write a novel because of a superficial similarity between the two. I took that book and dug a hole and buried it deep in the backyard.”
In “Beloved Beasts,” Michelle Nijhuis tells the stories of the men and women who have fought to rescue endangered animals from extinction.
In “The Third Pole,” the author and adventurer Mark Synnott documents his attempt to find the lost body of a 1924 explorer.
In Babalola’s debut collection, “Love in Color,” the knight in shining armor doesn’t necessarily wield a blade, but instead, the ability to see.
An excerpt from “Early Morning Riser,” by Katherine Heiny
An excerpt from “Under the Wave at Waimea,” by Paul Theroux
A selection of recent visual books of interest; plus, a peek at what our colleagues around the newsroom are reading.
In “When the Stars Go Dark,” the author of “The Paris Wife” tries her hand at a new genre.
The protagonist of the author’s latest work, “Antiquities,” recounts his obsession with Egyptian artifacts and his boyhood friendship with an unusual classmate.
Caleb Azumah Nelson’s debut, “Open Water,” sets a romance between 20-somethings against the backdrop of racial oppression in southeast London.
Written in the wake of Kristallnacht, “The Passenger,” a novel by Ulrich Alexander Boschwitz, follows a Jewish man in an increasingly hostile world.
“Under the Wave at Waimea” follows a former surfer through a reflective and ultimately transformative period.
“The Memory Theater,” “On Fragile Waves” and “Victories Greater Than Death” take readers tumbling through realms and ever stranger stories.
“Empire of Pain,” by the New Yorker staff writer, is a deeply reported chronicle of the Sackler family and the highly addictive painkiller it marketed — at great profit and with disastrous results for the public.
“Early Morning Riser” is a small-town story with meaningful ramifications.
Lisa Napoli’s “Susan, Linda, Nina & Cokie” follows four reporters who helped make the scrappy nonprofit into an American institution.
In this dark family memoir, Vince Granata recalls the afternoon his brother killed his mother.
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