“Letters to Camondo,” by Edmund de Waal, is addressed to a wealthy fin-de-siècle French Jew whose elegant Parisian home is filled with priceless objets d’art — and memories of the family that once lived there.
“Plunder,” by Cynthia Saltzman, recounts the French general’s vast thefts of European art and sculpture through the story of a single magnificent painting, Veronese’s “The Wedding Feast at Cana.”
“The Holly,” by Julian Rubinstein, explores the history of gang violence in a historically Black Denver neighborhood, and the often misguided efforts of law enforcement agencies to reduce it.
In Steven Johnson’s latest book, he looks at what he calls “one of the greatest achievements in the history of our species,” that life spans have more than doubled since the mid-19th century.
The U.S. Book Show hopes to fill the void left by BookExpo, an annual convention that attracted thousands of booksellers, librarians and publishing professionals.
In two new books, “Wonderworks” and “The Modern Myths,” writers at the intersection of aesthetics and empiricism reveal the humanities at war within themselves.
The Georgia politician and romance writer, whose latest novel is the thriller “While Justice Sleeps,” recommends “Master of the Senate,” by Robert Caro: “It is a seminal work on the nature of power, the limits of the presidency and the awesome demands politics make on the soul.”