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This month’s recommendations feature Viola Davis, a supernatural World War II horror novel and a steamy Jamaican romance.
Robin Peguero’s novel, “With Prejudice,” features a tough-talking prosecutor who says, “The jury is a crew of misfits. The scraps that neither side particularly wanted.”
In Akwaeke Emezi’s latest novel, “You Made a Fool of Death With Your Beauty,” a young widow stumbles into new life and romance while grieving for her past love.
Six new paperbacks to check out this week.
Three off-the-top-of-the-head stories and a piece of fitting history.
Suggested reading from critics and editors at The New York Times.
In “I’ll Show Myself Out,” the comedy writer explores the joys and travails of life with a small child.
“I’m not choosy, as long as there’s a psychopath,” says the novelist, whose new book is “The Foundling.”
To explain the city’s fraught present, two books look to its past.
From California’s Central Valley to the Texas-Mexico border to rural North Carolina, fiction anchored by a strong sense of place.
“His Name Is George Floyd,” by Robert Samuels and Toluse Olorunnipa, is a thorough recounting of the life of the man whose brutal murder set off historic protests.
Ben S. Bernanke’s “21st Century Monetary Policy” is an insider’s account of the operations of the Fed.
Emma Straub’s new novel, “This Time Tomorrow,” is a love letter to a bygone era on the Upper West Side and a timeless family bond.
Daniel Guebel’s novel “The Absolute” is a sweeping, century-spanning genealogy of creative obsessions.
In Alexander Maksik’s “The Long Corner,” a writer leaves a dreary city for an enigmatic, possibly sinister artists’ colony.
A new translation by Rachel Careau breathes fresh life into Colette’s shockingly modern novels of May-December love.
In Audrey Magee’s novel “The Colony,” an artist and a linguist go to work on an Irish island during a politically fraught season.
Klay’s essay collection, “Uncertain Ground,” examines what war has come to mean in the United States.
An acclaimed author traces a journey away from her native language and discovers new selves in the process.
In “Who Killed Jane Stanford?” Richard White takes on a 1905 murder — and seamy cover-up — that has fascinated scholars for generations.
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