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Erich Schwartzel’s “Red Carpet” explores how Hollywood wooed the Chinese market — and became the villain of the piece.
Brendan Slocumb’s debut novel is a musical bildungsroman cleverly contained within a literary thriller.
“What’s Good,” by Daniel Levin Becker, is a wide-ranging examination of hip-hop and its language games.
In Jessica Au’s prizewinning novel “Cold Enough for Snow,” two generations communicate with words and what’s left unsaid.
In Calla Henkel’s debut novel, “Other People’s Clothes,” two American art students take a new city by storm, with seismic consequences.
Four new books investigate modern warfare by examining limited conflicts by great powers.
A centenarian’s life mirrors the turbulence of her country’s in “Violeta.”
In his dizzying new novel, “My Annihilation,” Fuminori Nakamura destabilizes the reader at every turn.
Perry discusses her new book, and Oliver Roeder talks about “Seven Games.”
The adventurer Ranulph Fiennes has written a biography of Ernest Shackleton, telling the life story of the famed explorer while also describing his own exploits.
“Recitatif,” originally published in 1983 and now available in book form, features a Black girl and a white girl, but Morrison never identifies which is which.
Readers respond to recent issues of the Sunday Book Review.
A selection of books published this week.
In Sara Gran’s occult thriller, “The Book of the Most Precious Substance,” a rare-book dealer falls under the spell of a powerful 17th-century manuscript.
Three debut novels — by Kai Harris, Nikki May and Destiny O. Birdsong — follow female protagonists struggling to find their place.
Six new paperbacks to check out this week.
Georgia Gilmore, Alice Waters and Julia Child show kids that food has the power to make our worlds bigger, better and more connected.
Suggested reading from critics and editors at The New York Times.
Before Xochitl Gonzalez wrote her best-selling debut novel, “Olga Dies Dreaming,” she produced elaborate events. The experience was invaluable.
As a new translation makes clear, this tale of survival, written between the wars by an Austro-Hungarian Jew, wasn’t intended for young children.
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