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https://www.nytimes.com/section/books/review
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2 hours 13 min ago
New Yorkers still tell stories of browsing at Harlem’s Liberation Bookstore or spending the afternoon at Scribner’s.
In Aamina Ahmad’s stunning debut novel,“The Return of Faraz Ali,” a police officer is asked to cover up a young girl’s death in the red-light district of Lahore, Pakistan.
Six new paperbacks to check out this week.
Or take a cloud out on a walk or climb the antlers of a deer.
Suggested reading from critics and editors at The New York Times.
“Haruki Murakami’s trilogy ’1Q84’ kept me spellbound for all of its 1,328 pages, which is unusual for me. Such an unrealistic story, yet so realistically told.”
“The Trayvon Generation” traces the influences of racism and violence on American culture today.
‘One Italian Summer’ was inspired by a meaningful encounter during an intergenerational pilgrimage to Positano and Rome.
Under the pen name Richard Stevenson, he sought to correct crime fiction’s portrayals of gay characters as freaks or villains with an entirely relatable protagonist.
A book of the artist’s work between 1967 and 1981 reveals her commitment to Black Power and Black feminism.
In “Station Eleven,” she explored fallout from a pandemic. Now, in “Sea of Tranquility,” Mandel takes up existential questions of time and being.
A selection of books published this week.
Two newly translated books highlight everyday lives transformed by conflict.
Maud Newton’s “Ancestor Trouble” is a sweeping genealogical investigation that becomes an investigation of genealogy itself.
Caroline Elkins’s “Legacy of Violence” details the terrible price paid by peoples under the rule of the British Empire.
With her novel “A House Between the Earth and the Moon,” Rebecca Scherm creates a world that embodies the anxiety and indignity of our times.
For the women in Kate Folk’s debut story collection, it might be safer to just be alone.
In “Diamonds and Deadlines,” Betsy Prioleau tells the story of the extravagant, ruthless Gay Nineties media tycoon Miriam Leslie.
In “Imaginable,” the futurist and game designer Jane McGonigal argues that being open to even far-fetched catastrophes can better prepare us.
In “The Shame Machine,” the data scientist Cathy O’Neil seeks to discover who exactly has a vested interest in our unhappiness.
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