In Audrey Magee’s novel “The Colony,” an artist and a linguist go to work on an Irish island during a politically fraught season.
Klay’s essay collection, “Uncertain Ground,” examines what war has come to mean in the United States.
An acclaimed author traces a journey away from her native language and discovers new selves in the process.
In “Who Killed Jane Stanford?” Richard White takes on a 1905 murder — and seamy cover-up — that has fascinated scholars for generations.
In her memoir, “Mean Baby,” the actor opens up about daily life with multiple sclerosis and the different identities she has juggled all her life.
“Time Zone J,” by Julie Doucet, and “Flung Out of Space,” by Grace Ellis and Hannah Templer, inhabit their feminism in different and fascinating ways.
The antihero of Karen Jennings’s latest builds a stone wall between himself and the world that broke him.
A best seller in France, Camille Kouchner’s “The Familia Grande” is an indictment of incest that started a national reckoning.
“River of the Gods” is a fast-paced tale of the absurdly dangerous quest by two friends turned enemies to solve the geographic riddle of their era.
Paul Craddock’s gory and engrossing “Spare Parts” takes on ancient skin grafts, modern plastic surgery and everything in between.
The filmmaker and author’s latest book is “Liarmouth: A Feel-Bad Romance.”
Paul Kennedy’s “Victory at Sea” is a sweeping, encyclopedic account of how six major navies fought World War II.
Stacy McAnulty’s “Save the People!” employs humor to call middle grade readers to action.
In “Answers in the Pages,” a fifth-grade boy and his classmates speak up against parents’ efforts to censor their curriculum.
Six new paperbacks to check out this week.
Fukuyama’s “Liberalism and Its Discontents” and Mounk’s “The Great Experiment” confront America’s toxic political divisions.
Suggested reading from critics and editors at The New York Times.
Sometimes a horse is just a horse. For this writer and illustrator, equine drawings were the path to an artistic future.
What artists’ wardrobes can tell us about their methods, their personal lives and politics — and even about ourselves.
“I am drawn to the idea of continuing to bear witness to that horrible time,” says the actor, whose new book is “Mean Baby: A Memoir of Growing Up.”
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