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https://www.nytimes.com/section/books/review
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1 hour 56 min ago
In a new book, Clare Carlisle considers the powerful partnership between the Victorian novelist and the de facto husband who tended her career.
He won the National Book Award for poetry in 2009, having first been nominated 40 years earlier. He taught at Brown University for four decades.
An editor recommends two escapist biographies.
Rethinking the German filmmaker’s vast body of work while reading a new book about him.
In Paul Murray’s new novel, “The Bee Sting,” an Irish family faces economic ruin after the 2008 financial crash. And that’s just the start of their troubles.
His book about the patriarch of the Kennedy political dynasty was a best seller. He later worked, briefly and not happily, for Richard M. Nixon.
Sarah Lyall discusses the thriller “Whalefall,” by Daniel Kraus, and Joumana Khatib rounds up the month’s other big books.
The filmmakers didn’t want to disappoint fans of Casey McQuiston’s novel about the romance between a U.S. president’s son and a British prince.
Encouragement, profit or exploitation?
In Halley Sutton’s “The Hurricane Blonde,” a young woman struggles with the decades-old, still unsolved murder of her sister.
In Halley Sutton’s “The Hurricane Blonde,” a young woman struggles with the decades-old, still unsolved murder of her sister.
In “The Octagon House,” published in 1848, Orson Squire Fowler wondered why anyone would build a four-sided home when they could have an eight-sided one.
These mysteries run the gamut, from quirky Gothic to small-town cozy to chilly Nordic noir.
Suggested reading from critics and editors at The New York Times.
In this romantic comedy set in Taiwan, a young American finds herself torn between a parent-approved boy wonder and a rebellious slacker.
Kurt Vonnegut’s novel and Alex Comfort’s sex manual — which topped the best-seller lists 50 years ago this month — are both illustrated.
Once at the center of the murder mystery, the cadaver has become increasingly incidental to the action and now figures as little more than a prop.
“I love great character growth and fresh plots that involve some sort of social justice,” says the author of the spy novel “Undercover Latina” and other thrillers. “However, if there’s too much violence or threatened violence against women or children, I move from a sense of thrill to a sense of dread.”
A selection of recently published books.
Working with collaborators, she wrote “The G Spot,” which became a cultural sensation and sold more than a million copies.
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