In “The Greatest Capitalist Who Ever Lived,” Ralph Watson McElvenny and Marc Wortman show how Oedipal battles fueled the company’s technological triumphs in the 1960s and beyond.
Dann McDorman, the executive producer of “The Beat With Ari Melber,” gave up writing fiction in his 20s. Now, he’s publishing his first novel at age 47.
In “Ours Was the Shining Future,” the New York Times writer David Leonhardt dissects the country’s record on prosperity, arguing that progressive policies are best suited for achieving our ideals.
Authorized by the Orwell estate, “Julia,” by Sandra Newman, revisits the events of the dystopian classic, this time as seen by Winston Smith’s love interest.
The organization put the series on pause after several writers withdrew from events to protest its decision not to hold a reading last week with an author who had criticized Israel.
In different ways, Saskia Hamilton’s “All Souls,” Robyn Schiff’s “Information Desk” and Major Jackson’s “Razzle Dazzle” contend with the creative impulse and the human condition.
In “Opposable Thumbs,” Matt Singer recalls the risky business of putting newspaper movie critics on TV — and the “combustible chemistry” that made it a hit.