In Tom Mead’s “Death and the Conjuror,” a man is found dead in his study, his throat cut. There is no weapon in the room, and the doors are locked — from the inside.
“I grew up working class and money was a factor in everything we did,” says the poet and novelist, whose new book is the memoir “Crying in the Bathroom.” “That’s why I always write about the financial realities of my characters.”
“I grew up working class and money was a factor in everything we did,” says the poet and novelist, whose new book is the memoir “Crying in the Bathroom.” “That’s why I always write about the financial realities of my characters.”
The world’s first consulting detective has appeared in many disguises, including clergyman, sailor and old woman. Now, in a new podcast, he is cast as a monster.