“Master Slave Husband Wife,” by Ilyon Woo, relates the daring escape from bondage in Georgia to freedom in the North by an enslaved couple disguised as a wealthy planter and his property.
Hanif Kureishi lost use of his arms and legs. In tweets dictated to family members, he narrates the drama, and muses about writing and art, love and patience. He’s also quite funny.
At 93, the memoirist Yuan-tsung Chen hopes that her recollections of China’s tumultuous past will help the country confront its historical wrongs — and avoid repeating them.
A.E. Stallings draws on traditional forms and themes to create poetry that gives heft and shape to the everyday world. “This Afterlife” offers an overview of her career to date.
A best-selling novelist and political activist in her native Italy, she was admired for her sensitive depictions of women and their predicaments. Recently rediscovered, her work has lost none of its subversive force.
A collection of debut novels — “In the Upper Country,” by Kai Thomas, “Moonrise Over New Jessup,” by Jamila Minnicks, and “Wade in the Water,” by Nyani Nkrumah — explore the historical experiences of Black North Americans.
He wrote outsize histories on a panoply of subjects, found renown in Britain as an indefatigable columnist and infuriated liberals with his outspoken Tory views.
“A book that profoundly moves or thrills you makes you a more sensitive person, and therefore a better one,” says the 2014 Nobel laureate, whose new book is “Scene of the Crime.” “That is its moral function.”
“A book that profoundly moves or thrills you makes you a more sensitive person, and therefore a better one,” says the 2014 Nobel laureate, whose new book is “Scene of the Crime.” “That is its moral function.”
The steady drumbeat of revelations that preceded the book’s release helped push early orders and initial sales, making “Spare,” on its first day, one of the best-selling hardcover books in recent memory.