In addition to having a roster of authors that included Gail Sheehy, David Levering Lewis and Lech Walesa, he spoke out for the rights of writers worldwide.
Marcia Davenport’s novel “East Side, West Side” was edited by the legendary Max Perkins, who once told her, “Just get it down on paper, and then we’ll see what to do with it.”
“The resulting cacophony interferes with the author’s rhythms and rests,” says the musician and crime novelist, whose latest book is “Murder Your Employer.” “Like listening to Beethoven in one ear and ‘Roll Over Beethoven’ in the other.”
In her new novel, “An Autobiography of Skin,” Lakiesha Carr tells the stories of three contemporary Black women, each struggling with different manifestations of trauma.
In a pared-down Broadway revival of “A Doll’s House,” the Oscar-winning actress doesn’t have props, period costumes or much of a set. To her surprise, she likes it.
The return, after an agreement that brought a raise in pay for the lowest earners at the publisher, represented a victory to many of the more than 250 workers involved.
A new book by Joel Warner traces the fate of the parchment on which the infamous author wrote “120 Days of Sodom,” a trail involving scholars, aristocrats and thieves — and lots of money.
Joseph Earl Thomas’s remarkable debut, “Sink,” recounts the coming-of-age of a young man for whom poverty, violence, drug abuse and racism were simply facts of daily life.