The former publishing employee who pleaded guilty to stealing unpublished book manuscripts was ordered to be deported and to pay $88,000 in restitution.
The New-York Historical Society award goes to Beverly Gage, whose “G-Man: J. Edgar Hoover and the Making of the American Century” puts a notorious character in context.
“People sometimes ask why I want to read horror at all, let alone write it,” says the horror novelist, whose new book is “Lone Women.” “So much writing glances off the hardest and worst experiences, but horror confronts the worst that happens. ... A good horror novel doesn’t lie to you.”
In “All the Knowledge in the World,” Simon Garfield recounts the history of the encyclopedia — a tale of ambitious effort, numerous errors and lots of paper.
He was a historian of India and Tibet, but best known for his biography of Naipaul, which one reviewer described as “a portrait of the artist as a monster.”
Alarmed by the country’s political divisions, Jeff Sharlet embarked on an anguished quest to understand the rise of antidemocratic extremism. In “The Undertow,” he documents his findings.
In “Benjamin Banneker and Us,” Rachel Jamison Webster uncovers Black ancestors she never knew about, and with the help of far-flung relatives assembles her family’s story.
Romance — nostalgic, obsessive or consuming — is at the heart of Madelaine Lucas’s “Thirst for Salt,” Keiran Goddard’s “Hourglass” and Alison Mills Newman’s “Francisco.”