Héctor Tobar is a son of Los Angeles, a city of “perpetual cultural mixing.” Here, he guides readers through the books and writers that cut through the city’s layers.
Masha Gessen stepped down following the free expression group’s decision to cancel an event at its World Voices Festival after Ukrainian writers threatened to boycott.
In her debut novel, “Glassworks,” Olivia Wolfgang-Smith follows multiple generations of a family over the course of a century, as they struggle to discover and define themselves.
In “Yellowface,” R.F. Kuang satirizes the publishing industry with a tale of a struggling writer who passes off her recently deceased friend’s book as her own.
About a year after the author Michael Lewis began to shadow Bankman-Fried, the founder of the crypto exchange FTX, Bankman-Fried was arrested. As the story evolved, Lewis has had a front-row seat to the drama.
The mysterious card, from 2003, is at the center of Anne Berest’s book, which is part detective story, part examination of French attitudes toward Judaism.
In “Fortune’s Bazaar,” Vaudine England rejects a tale-of-two-cities approach to the history of Hong Kong’s colonization, embracing the in-between lives of those who made it.
Fae Myenne Ng’s “Orphan Bachelors” recalls her coming of age in midcentury San Francisco; Jane Wong’s “Meet Me Tonight in Atlantic City” recalls hers in 1980s and ’90s New Jersey.
“Undaunted,” Brooke Kroeger’s new history of women in journalism, tracks the victories, setbacks and pathbreaking careers that have marked the decades-long fight for gender parity in the field.
The author of the new book “Quietly Hostile” is a fan of listening to Paul Mooney records, rereading “Gone Girl” and watching guys arguing about sports.