“I Love Russia,” a collection of Elena Kostyuchenko’s reporting over the past 15 years, captures the lives of ordinary, often struggling, people in far-flung parts of the country.
Kelsey Norris’s “House Gone Quiet” and Justin C. Key’s “The World Wasn’t Ready for You” share an interest in the ways that being bound shapes our understanding of freedom.
In “The Lumumba Plot,” the Foreign Affairs editor Stuart A. Reid asks whether the Central Intelligence Agency was involved in the death of one of Africa’s most famous post-colonial politicians.
In Rupert Thomson’s new novel, “Dartmouth Park,” the sound of a mundane beep triggers in one man what may be either a revelatory metaphysical journey or a bout of male existential angst.
Shedding the concept “completely strikes at our sense of identity and autonomy,” the Stanford biologist and neurologist argues. It might also be liberating.
“Tremor,” his first novel in over a decade, is set in Massachusetts and Lagos, and came from a desire to capture the last moments of a pre-Covid world.
In “The Life and Times of Hannah Crafts,” Gregg Hecimovich pieces together the story of a woman who fled slavery, and whose manuscript was lost for more than 150 years.
In Molly McGhee’s debut, “Jonathan Abernathy You Are Kind,” debt-laden citizens are recruited to “audit” others’ dreams — all in the name of productivity.