His screenplay, based on his own youthful experience, was nominated for an Oscar. His other films included “Sweet November,” based on his own unproduced play.
In “Making It in America,” Rachel Slade examines the challenges of domestic production through the lens of one Maine company.
Cynthia Zarin’s first novel, “Inverno,” is a tale of a woman’s incurable longing and haunted past.
A rash decision to attend an anti-Qaddafi protest in London reverberates in Hisham Matar’s poignant and quietly suspenseful third novel.
In “How to Be a Good Savage,” Mikeas Sánchez’ poems help preserve her language, Zoque, and allow it to commingle with English and Spanish, in an effort that is both global and deeply local.
Álvaro Enrigue’s “You Dreamed of Empires” is a hallucinatory tale of the conquistadors’ arrival at Moctezuma’s gates.
In “Goldenseal,” Maria Hummel takes readers into a hotel room, then unfurls her characters’ complicated history.
In Marie-Helene Bertino’s remarkable funny-sad novel, the young visitor and her mother find the means to persevere in the aisles of a cosmetics store.
A Jewish refugee from the Nazis, he argued that World War I, World War II and the Holocaust were all part of a “second Thirty Years’ War.”
Murder mysteries by the men who brought you Winnie-the-Pooh and Daniel Day-Lewis.
In “Poor Deer,” Claire Oshetsky explores the long shadow of a tragedy with devastating consequences.
In “The Furies,” the journalist Elizabeth Flock reports the stories of three women who fought back — to defend themselves, other women or their people.
Reading her audiobook memoir, “How to Say Babylon,” the poet gives voice to her Jamaican roots, her early ambition and the Rastafari father who would have quashed it.
The illustrator of classic children’s books like “Frederick” and “Swimmy” was also a painter, sculptor, graphic designer and more.
For my family, reading Scarry together was itself like a car trip — the rare sort where no one gets cranky and the world, as seen from the back seat, is fresh and startling.
For my family, reading Scarry together was itself like a car trip — the rare sort where no one gets cranky and the world, as seen from the back seat, is fresh and startling.
Suggested reading from critics and editors at The New York Times.
These two titans of 20th-century literature and music formed a profound, yearslong relationship across generations and backgrounds.
In her “A Good Girl’s Guide to Murder” series and “Five Survive,” this British author makes herself at home on the East Coast.
Finishing “The Portrait of a Lady” leaves the author of “Old Crimes,” a new story collection, “a little more confident.” Meanwhile, Rod Serling has a place on her shelves.
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