In Ferdia Lennon’s charming debut, “Glorious Exploits,” Athenian prisoners stage Euripides for their wine-swilling, foul-mouthed captors.
In her first essay collection, Becca Rothfeld demonstrates that sometimes, more really is more.
After his partner, Molly Brodak, died by suicide, Blake Butler found painful truths in her journals and personal items.
“Carrie” was published in 1974. Margaret Atwood explains its enduring appeal.
In “Long Live Queer Nightlife,” the L.G.B.T.Q. studies scholar Amin Ghaziani visits a new generation of ad hoc dance parties that have risen from the ashes of the gay bar.
Our columnist reviews saucy new books by Rebecca Ross, Rebekah Weatherspoon and Felicia Grossman.
How did gender became a scary word? The theorist who got us talking about the subject has answers.
Our columnist reviews saucy new books by Rebecca Ross, Rebekah Weatherspoon and Felicia Grossman.
In Lisa Ko’s adventurous novel “Memory Piece,” youthful exploration takes a dark turn for an artist, an activist and a web developer.
In “God’s Ghostwriters,” the historian Candida Moss explores the many people who penned the Scriptures.
In “Nuclear War” and “Countdown,” Annie Jacobsen and Sarah Scoles talk to the people whose job it is to prepare for atomic conflict.
A Chinatown hotel; an adventuress on the make.
“The Heaven & Earth Grocery Store” has been a runaway critical and commercial success. When you’ve been David all your life, everything changes “when you become Goliath.”
“I love ‘I heard a Fly buzz — when I died,’” said the actress, currently performing Off Broadway in “The Seven Year Disappear.” “That one gets me every time.”
In the memoir “Rabbit Heart,” Kristine S. Ervin explores the human being behind sensational headlines, and our culture’s insatiable thirst for other people’s tragedy.
In “Worry,” Alexandra Tanner puts a humorous spin on the fixations, disappointments, aversions and maladjustments of adulthood.
After his father, who created the character, died, he continued the series of books about a modest elephant and his escapades in Paris for seven decades.
A poet, publisher and professor, she channeled the revolutionary spirit and deconstructionist currents of the 1960s to challenge the conventions of poetry.
The duo will lead the cast of “Left on Tenth,” a stage adaptation of Delia Ephron’s best-selling memoir.
The great Irish crime novelist talks about her newest series.
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