James Wolcott talks about “Raising Trump” and “The Kardashians,” and Tina Brown discusses “The Vanity Fair Diaries.”
In which we consult the Book Review’s past to shed light on the books of the present. This week:Elizabeth Hardwick on the art and meaning of the essay.
With masculinity in its sights, Ross Raisin’s “A Natural” dares to tackle frustration and thwarted action as its themes.
In the audiobook edition of “Not Quite a Genius,” a senior writer for Funny or Die explores an impressive medley of forms, themes and voices.
In a new audiobook, Kenneth Branagh reads one of Agatha Christie’s most convoluted and ingenious plots.
These books are linked by their interest in extreme psychological and emotional states, from paranoia to obsession to forbidden love.
Six new paperbacks to check out this week.
Adam Rutherford’s engaging science book, “A Brief History of Everyone Who Ever Lived,” explains the many ways DNA links us to our ancestors.
Nancy Pearl’s first novel, “George & Lizzie,” combines lit-crit geekiness, dentistry and team sports to create an unusual romantic comedy.
The author of “The Vanity Fair Diaries” reveals a page from her handwritten journal recounting her experiences on the day she learned of Andy Warhol’s death.
In “Adults in the Room,” the former finance minister Yanis Varoufakis describes Greece’s economic crisis from the inside.
Francine Klagsbrun’s “Lioness” re-examines the beloved prime minister’s legacy.
Lawrence Freedman warns in “The Future of War” that he doesn’t expect to see an end to human conflict.
Arlie Russell Hochschild reviews Jessica Bruder’s book about senior citizens who live out of R.V.s and work low-wage jobs.
In a new audiobook, “The State of Affairs,” Esther Perel follows up on “Mating in Captivity” by focusing on the husbands and wives who stray.
In a best-selling campaign memoir, “Hacks,” the Democratic operative and former party chair reveals she never trusted the polls.
Daniel Mendelsohn’s “An Odyssey” is both an analysis of a classic and a memoir of his family.
In “Real American: A Memoir,” Julie Lythcott-Haims describes growing up biracial in a mostly white milieu.
Wiley Cash’s heroine in “The Last Ballad” is based on a real-life union organizer and folk singer now mostly lost to history.
A septuagenarian cellist faces down his personal and professional losses in Mark Helprin’s novel “Paris in the Present Tense.”
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