The first book from her new imprint is Fatima Farheen Mirza’s big-hearted debut, “A Place for Us,” which follows an Indian-American Muslim family through the decades.
Julia Van Haaften’s “Berenice Abbott: A Life in Photography” is the first major biography of Abbott in more than a generation.
Here, comedy includes a sendup of spy thrillers and 1930s Hollywood; a family saga about a drug-addicted bird-watcher; and a coming-of-age tale heavy on topiary.
Leah Stewart’s third book reunites struggling Hollywood stars, and Stephen McCauley makes the case that you really can be friends with an ex.
The working-mom heroine of “I Don’t Know How She Does It,” now middle-aged, is back for a sequel that wrestles with the question “How Hard Can It Be?”
Gary Krist’s “The Mirage Factory” tells the story of early-20th-century Los Angeles through three of its most prominent residents.
Christopher Buckley’s rollicking new comic novel, “The Judge Hunter,” follows the adventures of a bumbling young man sent to New England in 1664.
Helen DeWitt’s new collection, “Some Trick,” explores her interest in “fiction that shows the way mathematicians think.”
In “First Person,” Richard Flanagan explores the permeable boundary between fact and fiction.
“Patriot Number One,” by Lauren Hilgers, is a deeply reported account of one family’s effort to remake their lives in the United States while keeping tabs on their hometown.
In her new memoir, “To Throw Away Unopened,” the British punk icon offers a menopausal battle cry equal parts Nora Ephron and SCUM Manifesto.
Yunte Huang’s “Inseparable” recounts a 19th-century story of celebrity and exploitation.
This new survey, by Stuart Kells, a rare-books expert, is an absorbing account of the complicated role book collections have played in our public and private lives.
“Figures in a Landscape” is the latest collection from the prolific travel writer.
As memoirs by John McCain and James Clapper hit the list, we dive into the Book Review’s archives to look at what people were reading in summers past.
Readers respond to recent issues of the Sunday Book Review.
Ramie Targoff’s biography, “Renaissance Woman,” reveals a writer who moved between 16th-century courts and cloisters, whose sonnets still speak to us.
In “She Has Her Mother’s Laugh” Carl Zimmer explores inheritance in all its varied dimensions — from genetic ancestry to biological definitions of race.
Mr. Orange is part of a generation of young indigenous writers who are redefining the native canon.
Nick Drnaso’s “Sabrina” and Michael Kupperman’s “All the Answers” both center on characters who set off a story by disappearing.
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