In “Flash,” Christopher Bonanos offers a portrait of the photographer who loved shooting corpses.
A Newbery medalist’s novel about a week at the beach, a graphic novel about a budding guitarist stuck home while her best friend is at camp, and stories of one neighborhood’s summer antics.
In “Do This for Me,” Raney Moore cancels her unfaithful husband’s credit cards, deletes his Gmail and ships his stuff to his mother’s house — all in one morning.
John Connolly’s “He” fictionalizes the career of one half of the Laurel and Hardy team.
“Asking for a Friend,” by Jessica Weisberg, considers three centuries of advice-givers, from Ben Franklin to a prolific contributor on the internet forum Quora.
A festive weekend at a cottage in West Cork, once home to victims of the Great Famine, turns sinister in Billy O’Callaghan’s novel “The Dead House.”
First love, shocking family secrets, and witches that prowl the streets of Brooklyn from Carolyn Mackler, Emily X.R. Pan and Zoraida Córdova.
Two novels burst the tech bubble for career-driven women.
The first book from her new imprint is Fatima Farheen Mirza’s big-hearted debut, “A Place for Us,” which follows an Indian-American Muslim family through the decades.
Julia Van Haaften’s “Berenice Abbott: A Life in Photography” is the first major biography of Abbott in more than a generation.
Here, comedy includes a sendup of spy thrillers and 1930s Hollywood; a family saga about a drug-addicted bird-watcher; and a coming-of-age tale heavy on topiary.
Leah Stewart’s third book reunites struggling Hollywood stars, and Stephen McCauley makes the case that you really can be friends with an ex.
The working-mom heroine of “I Don’t Know How She Does It,” now middle-aged, is back for a sequel that wrestles with the question “How Hard Can It Be?”
Gary Krist’s “The Mirage Factory” tells the story of early-20th-century Los Angeles through three of its most prominent residents.
Christopher Buckley’s rollicking new comic novel, “The Judge Hunter,” follows the adventures of a bumbling young man sent to New England in 1664.
Helen DeWitt’s new collection, “Some Trick,” explores her interest in “fiction that shows the way mathematicians think.”
In “First Person,” Richard Flanagan explores the permeable boundary between fact and fiction.
“Patriot Number One,” by Lauren Hilgers, is a deeply reported account of one family’s effort to remake their lives in the United States while keeping tabs on their hometown.
In her new memoir, “To Throw Away Unopened,” the British punk icon offers a menopausal battle cry equal parts Nora Ephron and SCUM Manifesto.
Yunte Huang’s “Inseparable” recounts a 19th-century story of celebrity and exploitation.
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