In an era of endlessly safe comic universes, “Miracleman: The Silver Age” goes another way with the return of a godlike hero from a world more like ours.
News stories have chronicled the basketball star’s detention in a Russian prison. Here’s her version.
Now a suburban married mother, Eilis Lacey finds herself in a quandary in “Long Island,” Colm Tóibín’s sequel to his much-admired novel.
Inspired by her grandmother, Eve J. Chung’s lively novel, “Daughters of Shandong,” traces a harrowing journey across 1950s Communist China.
Jayne Anne Phillips won the fiction award for “Night Watch,” while Jonathan Eig and Ilyon Woo shared the biography prize.
Americans like their politicians to be dog people. Gov. Noem broke the mold.
Montreal is a city as appealing for its beauty as for its shadows. Here, the novelist Mona Awad recommends books that are “both dreamy and uncompromising.”
Hari Kunzru examines the ties between art and wealth in a new novel, “Blue Ruin.”
In Alexis Landau’s ambitious new novel, “The Mother of All Things,” the frustrations of modern parenting echo through the ages.
Michael Deagler’s first novel follows a young man who is piecing his life back together and trying very hard not to drink.
The sociologist Sarah Thornton visits strip clubs, milk banks and cosmetic surgeons with the goal of shoring up appreciation for women’s breasts.
His anthology “Technicians of the Sacred” included a range of non-Western work and was beloved by, among others, rock stars like Jim Morrison and Nick Cave.
In “A Life Impossible,” the former N.F.L. player opens up about outliving his life expectancy — the challenges, loneliness and moments of joy.
Caroline Crampton shares her own worries in “A Body Made of Glass,” a history of hypochondria that wonders whether newfangled technology drives us crazier.
Set in a remote Welsh enclave on the cusp of World War II, Elizabeth O’Connor’s “Whale Fall” finds fresh resonance for a coming-of-age debut.
In Monica Wood’s rich new novel, “How to Read a Book,” death, prison and poetry become the catalyst for new beginnings.
In “All Fours,” her first novel in almost 10 years, the writer, artist and filmmaker considers freedom — sexual and otherwise.
A maid resists her employers; citizens resist their country.
The novel “American Abductions” captures the effects of U.S. immigration policy with the expansive reach of art.
The filmmakers do more to align star and character than the novel did. But somehow that doesn’t make the movie indebted to the musician.
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