“The War Before the War,” by the literary critic Andrew Delbanco, is a forceful and eloquent case for the role of fugitives in fomenting a national crisis.
In culinary essays, Dawn Drzal, Christine S. O’Brien and Ann Hood embark on personal journeys in which meals reveal much more than what’s on the menu.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
Book publishing is big on TV and in the movies. The essayist Sloane Crosley, a former book publicist, fact-checks the shows.
Rob Dunn’s “Never Home Alone” catalogs the world of microbial beings that share our living space and inhabit our showerheads and pillowcases.
In “Born to Be Posthumous,” Mark Dery probes the “eccentric life” and “mysterious genius” of the illustrator whose books have proved fiendishly irresistible.
Yascha Mounk discusses Edward J. Watts’s “Mortal Republic,” and Jonathan Lethem talks about the surge of fictional psychotropic drugs in novels.
2018 was a good year for books. Some of the authors we admire weigh in on their favorite reads.
In which we consult the Book Review’s past to shed light on the books of the present. This week: J. Donald Abrams on Sir Arthur Conan Doyle.
Six new paperbacks to check out this week.
Guy Gunaratne’s “In Our Mad and Furious City” interweaves five urban lives against a backdrop of racial and political violence.
The creator of Sherlock Holmes harbored a deep-seated belief in mysticism, telepathy, fairies and ghosts.
New translations include a lush historical novel about Michelangelo, a hybrid memoir/novel from a Nobel Prize winner and a mother-daughter melodrama.
David Gilmour’s “The British in India” examines the personal lives of the small number of individuals who controlled a vast territory.
The literary critic Susan Gubar’s memoir, “Late-Life Love,” blends tales of her marriage with discussions of works whose meaning has changed for her over time.
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
Yan Lianke’s novel “The Day the Sun Died” takes place on a single night, when a plague of somnambulism unleashes a host of suppressed emotions.
Readers respond to recent issues of the Sunday Book Review.
First, ask yourself: Does this thought actually belong here?
In her column, Hillary Chute reviews four new graphic novels that use the form to challenge societal expectations about sex.
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