Philippe Besson's novel — ably translated from the French by Molly Ringwald — chronicles a painful teenaged heartbreak, followed by grown-up ennui. It's a well-worn but very well-told tale.
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Juliet Escoria's autobiographical novel is a heartfelt, raw story about surviving mental illness and learning to cope with inner demons. It's not a comfortable read — but it is a powerful one.
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A book of essays from a diverse, accomplished array of writers reveals the ways our mothers fail us and we fail them — and poses the question of how much a tough conversation could close those rifts.
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April is the most poetic month, and we're celebrating by asking poets Hanif Abdurraqib, Yanyi, and Franny Choi to talk about what inspires them to write, and how poetry helps express identity.
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Even as NPR editor Malaka Gharib makes light of herself in her high-spirited graphical memoir, her wisdom about the power and limits of racial identity is evident in the way she draws.
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The latest volume in Smith's seasonal quartet revisits some of her familiar themes — the bleakness of contemporary politics, loss, fractured families, nature and art — yet still feels spring-fresh.
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Alexa Martin is married to a former NFL player, and she puts that experience to good use in her latest football romance — a witty, sexy story about a determined single mom rediscovering an old love.
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Screenwriter Dustin Lance Black's new book is a memoir of his relationship with his mother, and how they found a way forward after he came out as gay and left the Mormon church that she loved.
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Most of the people Michael Croley's debut story collection feel like they don't belong, even in the places they call home — and Croley conjures that unsettled feeling in understated, beautiful prose.
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Looks like this year, April showers brought April flowers. As in, a bouquet of outstanding poets. So stop and smell the roses, my friends.
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Artist Scott Hampton has a big job in this second volume of an ambitions, three-book adaptation of Neil Gaiman's American Gods: Depict Gaiman's deadly serious characters without making them quaint.
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Josh Malerman's latest imagines two towers full of boys and girls, raised in isolation and ignorance of the opposite sex, but spends too much time creating a world and not enough on its consequences.
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