Karen Abbott's page-turner teases with its central mystery, reaching its climactic final trial with a satisfying bang — though more on the politics of the time would have been a welcome layer.
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As the U.S. becomes more brown and black — resulting in a xenophobic backlash and nostalgia by some for white European immigrants — the ideas in Sarah Valentine's memoir become even more necessary.
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Jess Row's collection is an ambitious attempt to investigate what is latent in the silences of 20th century white writers on race. It is both astute and painfully self-regarding.
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While Susan Straight reflects on far more than her own upbringing in her memoir, she brings her trademark lyricism and a significant dose of humility to these pieces of the book.
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There's an undeniable catharsis in seeing such a great writer, The New Yorker's Jia Tolentino, lucidly communicate the conditions of our most ludicrous forms of misery in her essay collection.
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