The shake up at the Hachette Book Group imprint comes at a time when publishers are feeling pressured by sluggish print sales and rising supply chain costs.
The decision, which will be implemented in January 2025, could significantly impact publishers.
In a new book, the journalist and science fiction writer Annalee Newitz shows how we have used narrative to manipulate and coerce.
New Orleans is a thriving hub for festivals, music and Creole cuisine. Here, the novelist Maurice Carlos Ruffin shares books that capture its many cultural influences.
A two-time Caldecott Medal winner, she brought multiculturalism to children’s literature by evoking her Armenian heritage.
Reading Anna Akbari’s memoir of online manipulation, you think you’ve seen it all — then you keep reading.
In “Catland,” Kathryn Hughes has a theory about our obsession with our feline friends — and one cat lover in particular.
Peter McIndoe and Connor Gaydos aim to turn an online caper into a full-fledged book.
In the novel “Blessings,” by Chukwuebuka Ibeh, a gay Nigerian boy works to understand himself in a country that’s increasingly hostile to people like him.
In the latest novel from the “Essex Serpent” author Sarah Perry, astronomy and religion collide with unrequited romance under gray British skies.
For The Book Review Podcast’s June book club, we’ll talk about “Headshot,” Rita Bullwinkel’s fierce and searching novel about the high-octane world of youth women’s boxing.
Francine Prose’s new memoir, “1974,” looks back at her brief but transformative relationship with a countercultural champion.
These comics and graphic novels have superheroes and supervillains, and drama at theater camp. There is also a nonfiction guide to coming out.
Maxim Loskutoff’s “Old King” is set in the remote forests of Montana, where one resident began a campaign to destroy modern life as we know it.
Gabriel Smith’s shape-shifting debut, “Brat,” cycles through a multiverse of strange possibilities.
In “When Women Ran Fifth Avenue,” Julie Satow celebrates the savvy leaders who made Bonwit, Bendel’s and Lord & Taylor into retail meccas of their moment.
In “We Refuse,” Kellie Carter Jackson explores the many forms of activism that oppressed people have resorted to and offers a more nuanced picture of their lives.
In “Triumph of the Yuppies,” Tom McGrath revels in the stories of a generation that turned its back on protest and bought into consumer culture.
In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.
She was hailed for her books and admired for promoting women’s rights. But her support for a two-state solution to the Palestinian conflict angered many.
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