In “Best Barbarian,” Roger Reeves riffs on Western tradition to challenge its omissions and expand its political and artistic possibilities.
Again and again in Ange Mlinko’s collection “Venice,” quotidian events generate nightmarish overtones.
Robert Pinsky reviews Lucasta Miller’s “Keats: A Brief Life in Nine Poems and One Epitaph.”
In “Now Do You Know Where You Are,” the poet Dana Levin learns to write again and comes to terms with personal and political trauma.
In “Canopy,” her seventh collection, Linda Gregerson mourns for humanity and the earth even as she clings to signs of personal connection.
“Poetry leaves something out,” our columnist Elisa Gabbert says. But that’s hardly the extent of it.
“Book of Questions,” the Nobel laureate’s last great work of poetry, is lyrical, meditative, philosophical. Is it also for children?
“I feel truer to myself while reading than I do experiencing the world through my body — so any chance to read is ideal for me.”
Kevin Rudd’s “The Avoidable War” examines the possibilities of a disaster and the ways China and America can avert it.
In his new book, “The Man Who Invented Motion Pictures,” Paul Fischer investigates the life — and mysterious disappearance — of Louis Le Prince.
The Australian comedian brings distinctive flair to the structure and tone of her memoir.
Memoirs by Samantha Hunt, Natalie Hodges and Ashley Marie Farmer transform grief into literature.
Stefan Al’s “Supertall” is a thoughtful inquiry into the new generation of skyscrapers, which are taller and more ubiquitous than their predecessors.
His new book is composed entirely of questions posed in interviews over his long career.
“The Forever Prisoner,” by Cathy Scott-Clark and Adrian Levy, tells the story of a man who has been held captive by the C.I.A. for 20 years.
In “If an Egyptian Cannot Speak English,” Noor Naga explores the forces of identity, belonging and globalism, as they bear down on two new lovers.
In her memoir, “Healing,” Theresa Brown recalls what she learned from her own treatment for breast cancer.
In her debut novel, “Things They Lost,” Okwiri Oduor uses magical realism to explore toxic mother-daughter relationships.
“Blind Owl,” by Sadeq Hedayat, is a hallucinatory short novel that upends Persian artistic traditions.
In “Left on Tenth,” the veteran author looks back on a series of life-altering events, including a whirlwind romance at the age of 72.
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