In “Less Is More,” the sequel to his Pulitzer Prize-winning comic novel, the author’s writer protagonist, now over 50 and in need of cash, takes to the road once again.
In Meghan Gilliss’s debut novel, “Lungfish,” a young family maroons itself on a deserted island where sustenance is whatever you can get your hands on.
“Luckily,” says the novelist and story writer, whose new book is the collection “Natural History,” “the kind librarian at the local Bookmobile let us take any books we could reach (I was ridiculously tall).”
In Deanna Raybourn’s “Killers of a Certain Age,” four female assassins, celebrating their retirement after 40-year careers, discover they’ve been marked for death.
In “The Divider,” political journalists keep their cool as they chronicle the outrageous conduct and ugly infighting that marked a presidency like no other.
Nothing is just one thing in Bliss Montage: Satire swirls into savagery; a gimmicky premise into poignancy. Ma writes with such authority that readers are simply swept along.