UnCovered review by Pam
Saunders, ACLS Librarian
Mick Herron has been hailed as the successor to John Le Carré for his modern spy thrillers, and his long-running Slow Horses
espionage series, focused on has-been MI-5 operatives and has recently been
made into a popular television series. His mastery is not limited to novels,
though, and his short fiction has been collected for the first time in the
recently released DOLPHIN
JUNCTION. The eleven stories include six
stand-alone tales, four featuring a husband-and-wife private eye team named Joe
and Zoe, and a tale from the past of the leader of the SLOW HORSES.
Herron is a master of dialogue, whether actual or internal, and
the dialogue in all these stories is witty, wryly humorous, sardonic, and
clever. He is also a master of plot, and try as one might to solve the mystery
in each tale, Herron always serves up a plot twist or two that almost no reader
will anticipate. Several of the plots cross over into the horror genre in ways
reminiscent of Edgar Allen Poe at his spookiest.
Perhaps the most hauntingly memorable selection is “Dolphin
Junction,” where the narrator is neither reliable nor totally forthcoming. It
starts simply enough, with a man who seems to be a loving husband who believes
his wife has been abducted, but who cannot convince the police to investigate.
As he investigates on his own, Herron leads the reader down a path of
assumptions that results in a major case of literary whiplash as the truth is
at last revealed.
For those who are already fans of the SLOW
HORSES, learning a bit about Jackson Lamb’s days as a “joe” in the field in Cold
War Berlin and the reappearance of brilliant archivist Molly Doran is the real
draw of this collection. The cagey and clever banter between the two, often
studded with double-entendre, will elicit a smile at the same time it often
forces one to re-read passages to get the hidden joke. Herron lets the reader
in on just enough spy craft to make the story seem plausible, without turning
the tale into a primer on “How
to Be a Spook.” And as he usually does, Herron confronts the reader
with the moral ambiguity that lies at the heart of espionage and the
individuals caught up in its practice.
And just in time for the holiday season, there is “The Usual Santas,” a tale
in which the addition of an extra mall Santa to the usual eight leads to a
philosophical conversation in their Christmas Eve breakroom celebration and
wind-down. Who or what is the real
Santa and how does any Santa handle the conflict between what he represents and
the commercialism that the mall where the eight work represents. The ending
features yet another about-face, leading to a humorously satisfying ending.
These short reads do not demand an ongoing commitment, making
them perfect to read one at a time during a hectic time of year when a longer
work with a complex plot and many characters might not suit. For those readers
not yet familiar with the Slow Horses series, you have that to look forward to
in the new year.