He blended pop philosophy and absurdist comedy in best-selling books like “Even Cowgirls Get the Blues” and “Skinny Legs and All.”
In Callan Wink’s new novel, two brothers struggling to make ends meet are forced to turn to shady ventures.
While many of her contemporaries are playing canasta, she’s releasing her 25th book. There’s no mystery to it, Tyler says: Start on Page 1, then keep writing.
The music industry pushed the group behind hits like “Manic Monday” and “Eternal Flame” hard, then pulled them apart. A new book tells their story.
These refreshingly authentic and playful picture books celebrate the many kinds of love that can fill kids’ lives.
The taut, disturbing stories in Bob Johnson’s “The Continental Divide” share the setting of a rural hamlet in Indiana — and transcend it.
In Charlotte Wood’s novel “Stone Yard Devotional,” an atheist burrows into herself while staying in a convent, and contemplates how to live without causing harm.
He blended pop philosophy and absurdist comedy in best-selling books like “Even Cowgirls Get the Blues” and “Skinny Legs and All.”
The standout essays in Megan Marshall’s “After Lives” recall her troubled father and the fate of a high school classmate.
In “The World After Gaza,” Pankaj Mishra looks for moral clarity in the conflict between Israelis and Palestinians.
In the 2022 Prix Goncourt-winning novel “Live Fast,” Brigitte Giraud pieces together the motorcycle crash that killed the narrator’s husband, while tearing her apart.
Our critic on the month’s most notable releases.
Nadine Gordimer’s stories; Margaret Atwood’s sketches.
The novelist Robyn Gigl picks her favorite courtroom dramas and legal whodunits — some of which may surprise you.
Barbara Kingsolver has put royalties from her Pulitzer Prize-winning novel to work in the region it portrayed, starting a home for women in recovery.
The director RaMell Ross on adapting Colson Whitehead’s prize-winning novel.
Two new books grapple with the questions of who we are, what we are, whether we are — and what we can do for one another.
In “What Fell From the Sky,” by Adrianna Cuevas, and “Oasis,” by Guojing, the best examples of humanity aren’t necessarily human.
Our columnist on the month’s best new releases.
Suggested reading from critics and editors at The New York Times.
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