As recounted in Adam Higginbotham’s “Challenger,” the 1986 tragedy that riveted a nation was a preventable lesson in hubris and human error.
In “Fat Leonard,” Craig Whitlock investigates one of the worst corruption scandals in U.S. military history.
As Michelle T. King demonstrates in this moving and ambitious biography, Fu Pei-mei was far more than “the Julia Child of Chinese cooking.”
An anxious artist’s road trip stops short for a torrid affair at a tired motel. In “All Fours,” the desire for change is familiar. How to satisfy it isn’t.
In Kimberly King Parsons’s witty, profane novel, “We Were the Universe,” a young mother seeks to salve a profound loss.
In her intimate memoir, “Rebel Girl,” the punk-rock heroine Kathleen Hanna recalls a life of trauma, triumph and riot grrrl rebellion.
Barbara Kingsolver’s debut, and a bad seed’s beginnings.
An entertaining new history by Steven Johnson explores an explosive moment when terror and nascent surveillance collided.
Jessica Shattuck’s “Last House” dips into the cultural intrigues of 20th-century America, but keeps its nose surprisingly clean.
Inspired by her own family’s past, Claire Messud’s “This Strange Eventful History” unfolds over seven decades and two wars.
A renowned member of the New York School of poets, he also found accidental notoriety when he was photographed during the 1968 uprising at Columbia University.
The best-selling author of dark fantasy novels for Y.A. and adult audiences discusses her career and her stand-alone new historical fantasy, “The Familiar.”
For The Book Review Podcast’s May book club, we’ll talk about “James,” Percival Everett’s radical reimagining of “Adventures of Huckleberry Finn.”
It’s called The Lynx, after the wildcat native to the state. “We wanted something a little fierce,” she said.
A new book from the legendary lensman Corky Lee captures both struggle and celebration across several decades of Asian American life.
In fiction, Ali Sethi wrote about being queer in Pakistan. Now he’s singing his story.
Alki Zei’s Greek classic, set in the birthplace of democracy in the mid-1930s, feels eerily relevant in today’s America.
For 15 years, French viewers watched Mr. Pivot on his weekly show, “Apostrophes,” to decide what to read next.
Suggested reading from critics and editors at The New York Times.
“They’re snapshots of the past: first-night gifts, holidays abroad, memories of lost friends and loved ones,” the award-winning actress says. Her latest, written with Brendan O’Hea, is “Shakespeare: The Man Who Pays the Rent.”
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