In “Acceptance,” Emi Nietfeld pushes back against the American presumption that survival should depend on personal excellence.
Our critic recommends old and new books.
Anthony Marra’s “Mercury Pictures Presents,” his long-awaited second novel, is a homage to the movies and to his immigrant family.
In “Dead-End Memories,” five stories about lonely women who encounter ghosts, infidelities, betrayals — and human connection.
Suggested reading from critics and editors at The New York Times.
For “The Hangman and His Wife,” her biography of the prominent Nazi Reinhard Heydrich, Nancy Dougherty interviewed his widow.
His mysteries featured extravagant characters like Stone Barrington, a libidinous New York lawyer who, like Mr. Woods, hung out at Elaine’s.
From journalists to politicians, activists to artists: Centuries’ worth of photos depict women holding their own in a man’s world.
Her imaginative use of words and lively rhymes entertained young readers, sometimes with a subtle message included, drawn from her own life.
The hit play, closed since January, was expected to reopen on Broadway this fall.
Dan Fesperman talks about his new thriller, “Winter Work,” and Isaac Fitzgerald discusses his memoir, “Dirtbag, Massachusetts.”
Two picture books and a graphic novel treat swimming as an expansive state of being, slippery with promise.
From a wildfire photographer to a teenage misanthrope, these authors reflect on pain, courage and belonging.
An investigation into the overdose epidemic by Beth Macy; new fiction from Abdulrazak Gurnah, Banana Yoshimoto, Mohsin Hamid and Anthony Marra — and plenty more.
“About five years ago, alongside my more contemporary reading, I decided to read from back to front, historically speaking,” says the author, whose new novel is “The Last White Man.” “I began with the Sumerian ‘Instructions of Shuruppak,’ first written in cuneiform on clay tablets around 4,600 years ago.”
In “The Measure,” Nikki Erlick shows what happens when adults across the globe are presented with the opportunity to learn when they will die.
The rot runs deep in George Dawes Green’s long-awaited fourth novel.
This poem subverts expectations right away and contains a peculiarity around every corner.
Memorably depicted in his father’s books, he struggled with drug addiction through a life that put him close to a notorious murder and came to an end in a family tragedy.
In “The Inheritors,” Eve Fairbanks writes about South Africa’s racial reckoning through intimate portraits of those involved.
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