A new book by the historian Nicole Hemmer charts the demise of Reagan-style optimism and the birth of a rage-and-fear-based politics on the right.
Her latest book, “The Marriage Portrait,” imagines the life of the girl who is thought to have inspired Robert Browning’s famous poem “My Last Duchess.”
In “The Life of Crime,” Martin Edwards takes on the colorful history of the detective novel, and its enduring fascination.
In “The House of Fortune,” Jessie Burton’s characters are 18 years older and much has changed.
Cultural criticism from Gary Indiana, David Collard and Charles Baxter.
In three journeys to the past, characters find themselves on quests that have nothing to do with the calendar or geography.
A new book collects six decades’ worth of the artist’s work.
Several publishing houses, like Taschen and Assouline, are “having fun” with the subject.
The British Vogue editor wants to make the media — and the world — a more welcoming place.
At the Rhode Island event, revelers danced to murder ballads and celebrated all things weird. They even found time to reckon with the writer’s racism.
James Hannaham’s new novel imagines a convict’s fateful re-entry into a much-changed Brooklyn.
In the deft and surprisingly lively “Democracy’s Data,” Dan Bouk explores the uses, misuses and failures of the U.S. Census.
Our critic recommends old and new books.
For better or worse, Jay Gould revolutionized the world of finance in the 19th century. In “American Rascal,” Greg Steinmetz tells his story.
The author of the seminal book on love languages is surprised that the concept has become a cultural phenomenon. But he still wants couples to heed his advice.
“Democratic Justice,” Brad Snyder’s comprehensive biography of Felix Frankfurter, aims to reassess the complicated legacy of the judge and political adviser.
The Emmy Award-winning star of TV, stage and movies discusses his memoir, “Drama.” And the British writer Maggie O’Farrell talks about her novel “Hamnet.”
“Wasn’t it Louis Armstrong who said there are only two types of music — good and bad?” says the author and visual artist, whose new novel is “Didn’t Nobody Give a Shit What Happened to Carlotta.” “I feel the same about books. I like good.”
In “The Arc of a Covenant,” Walter Russell Mead makes the case that U.S. support for the Jewish state has benefited America more than critics allow.
In “The Secret Battle of Evan Pao,” a Chinese American boy and his family feel as if they’re refighting the U.S. Civil War.
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