The author, considered by some to be the greatest French writer of her time, played with words and convention. Here’s where to start with her work.
Barbara Brandon-Croft’s series “Where I’m Coming From” was the first by a Black female cartoonist to be picked up by a major national syndicate. Her strips, now collected in a book, got plenty right about how we still live today.
In his memoir “Holding Fire,” Bryce Andrews confronts the violence and guilt of past generations.
Martin Puchner’s new book is a forceful rebuke to those who argue that culture can be owned by groups, nations, religions or races.
J K Chukwu wrote “The Unfortunates,” her playful, powerful debut novel, in the form of an academic thesis.
Will the Japanese novelist Mieko Kawakami’s stark explorations of class translate to American readers?
In “A Hacker’s Mind,” Bruce Schneier goes beyond the black-hoodie clichés.
Carmela Ciuraru’s “Lives of the Wives” explores five literary unions fraught with resentment, ego and abysmal behavior.
Priya Guns takes on classism and racism in her debut novel, “Your Driver Is Waiting.”
In Margaret Verble’s latest novel, “Stealing,” a Cherokee girl is kidnapped and sent to a Christian school, where terrors reign.
Maggie Millner’s first book, “Couplets,” breathes new life into an old form to tell the story of a romance that catches its heroine off guard.
The author, considered by some to be the greatest French writer of her time, played with words and convention. Here’s where to start with her work.
In his name-dropping novel “Up With the Sun,” Thomas Mallon fictionalizes the minor career and tabloid murder of the Broadway actor Dick Kallman.
The author Mariana Enriquez deploys — and enjoys — horror conventions. But in “Our Share of Night,” she reminds readers that the violence we live with can be far more frightening.
A debut novel from Kira Yarmysh, a longtime critic of Vladimir Putin, offers an intimate look at political imprisonment.
A debut novel from Kira Yarmysh, a longtime critic of Vladimir Putin, offers an intimate look at political imprisonment.
With “The Critic’s Daughter: A Memoir,” Priscilla Gilman, daughter of the theater critic Richard Gilman, joins the ranks of writers whose memoirs examine their famous, and flawed, fathers.
Natalie Haynes’s new novel, “Stone Blind,” continues her retellings of Greek legends, this one featuring the snake-haired Gorgon, long a symbol of female monstrosity.
In Ayòbámi Adébáyò’s “A Spell of Good Things,” the lives of a working-class boy and a wealthy young doctor converge to expose the precarity of the social order.
A Kenyan nonprofit is restoring iconic public libraries, leaving behind a segregated past and turning them into inclusive spaces.
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