Priya Guns takes on classism and racism in her debut novel, “Your Driver Is Waiting.”
In Margaret Verble’s latest novel, “Stealing,” a Cherokee girl is kidnapped and sent to a Christian school, where terrors reign.
Maggie Millner’s first book, “Couplets,” breathes new life into an old form to tell the story of a romance that catches its heroine off guard.
The author, considered by some to be the greatest French writer of her time, played with words and convention. Here’s where to start with her work.
In his name-dropping novel “Up With the Sun,” Thomas Mallon fictionalizes the minor career and tabloid murder of the Broadway actor Dick Kallman.
The author Mariana Enriquez deploys — and enjoys — horror conventions. But in “Our Share of Night,” she reminds readers that the violence we live with can be far more frightening.
A debut novel from Kira Yarmysh, a longtime critic of Vladimir Putin, offers an intimate look at political imprisonment.
A debut novel from Kira Yarmysh, a longtime critic of Vladimir Putin, offers an intimate look at political imprisonment.
With “The Critic’s Daughter: A Memoir,” Priscilla Gilman, daughter of the theater critic Richard Gilman, joins the ranks of writers whose memoirs examine their famous, and flawed, fathers.
Natalie Haynes’s new novel, “Stone Blind,” continues her retellings of Greek legends, this one featuring the snake-haired Gorgon, long a symbol of female monstrosity.
In Ayòbámi Adébáyò’s “A Spell of Good Things,” the lives of a working-class boy and a wealthy young doctor converge to expose the precarity of the social order.
A Kenyan nonprofit is restoring iconic public libraries, leaving behind a segregated past and turning them into inclusive spaces.
In his new book, “The Struggle for a Decent Politics,” the political philosopher Michael Walzer grapples with a definition.
In her new memoir, “B.F.F.,” Christie Tate looks at her history of failed platonic relationships and learns something about herself.
In “Someone Else’s Shoes,” Jojo Moyes puts a fresh spin on the classic plot where characters swap circumstances.
Poetic beginnings — first lines, or first poems in collections — do a lot of work in setting the tone and the reader’s expectations.
In 15 collections, beginning in the early 1970s, she wrote of family, nature, loss and sometimes dogs.
In Jen Beagin’s “Big Swiss,” a sex therapist’s transcriptionist fantasizes about sleeping with a married female patient, who also happens to go to her dog park.
Gilbert Cruz and Tina Jordan discuss the upcoming books they’re most excited to read in the next few months.
John Guillory’s “Cultural Capital,” published amid the 1990s canon wars, became a classic. In a follow-up, “Professing Criticism,” he takes on his field’s deep funk.
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