“One must read between the lies,” he suggests, putting his own “Everywhere an Oink Oink” at the top of the list.
What happens to literature when writers embrace A.I. as their muse?
Redesign? Relaunch? Regret? Take a look at the ways publishers aimed to seduce new audiences by changing up the covers of notable books.
When “I’m sorry for your loss” isn’t going to cut it, young readers might find solace, and solidarity, in story time.
Jean Garnett is an editor at Little, Brown. Callie Garnett is an editor at Bloomsbury. They’re always rooting for each other — even when they’re competing for the same book.
Remarkable new books from established masters and promising debuts from brilliant young artists.
A new adaptation shows how rich Alice Walker’s novel is and how the source material can lend itself to unconventional storytelling.
These children’s picture books have been banned. To some, the topics — racism, sexuality, transgender identity and gay relationships — are not appropriate for very young readers.
Four new books look to fauna to get us through tough times.
He became famous twice: first in 1979, for his imprisonment related to the murder of a former Italian premier, and then 20 years later, for his influential book “Empire.”
An independent publishing company known for releasing books with opposing political viewpoints is buying Regnery, a well-known conservative press.
The Book Review editors MJ Franklin, Joumana Khatib and Elisabeth Egan discuss McBride’s historical novel about fate and community.
Sydney Smith, Allen Say and Linda Shute explore the many facets of our recollections.
Sydney Smith, Allen Say and Linda Shute explore the many facets of our recollections.
In “Alice Sadie Celine,” Sarah Blakley-Cartwright’s first novel for adults, a lauded feminist becomes entangled with her daughter’s best friend.
Suggested reading from critics and editors at The New York Times.
Ruling that the fan’s unauthorized book violated copyright protections, a judge barred him from distributing it and ordered him to destroy all electronic and physical copies of it.
Having written about an inflection point for the British monarchy, the royals chronicler is at a crossroads in his own career.
Louise Glück’s mode of lamentation was her signature, and it seems fitting that one of her poems occasions the end of this column, after nine years.
Three new books explore the how, why and what that keep our world moving.
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